Wednesday, 11 September 2013

JP:Technical Analysis

John Newman - Love me again

Seconds
Mise en scene
Shot
0:00-0:05
Hand on rail
Slow mo close up
0:05-0:09
Character on one side, hand rail splits screen
Mid shot  slo mo
0:09-0:12
People walking up stairs
Zoom out to mid/long shot, low angle slow motion
0:13
Shadows, on stage, throwing something on ground
Mid shot, low angle, slow motion
0:13-017
Artist, lip syncing
Close up, eye line
0:18-0:23
Walking into old dance hall, group of young friends
Mid shot low angle, slow motion
0:24-0:27
Lip-syncing
Close up/meat shot
0:27-0:29
Girl walking up stairs
High angle, slow motion
0:29-0:32
Singer performing on stage
Low angle, from side, soft focus
0:32-0:34
Performer on stage, character in foreground
Long shot
0:34-0:36
Friends greeting each other
Slow motion, mid shot, slightly low angle
0:36-0:38
Girl walking up stairs
Slow mo, high angle
0:38-0:40
Sitting down on sofa
Mid shot, rule of thirds,
0:40-0:42
Lip syncing
Close up eye line
0:42-0:45
Silhouette dances spinning in spotlight
Slow motion, mid shot, low angle
0:46-0:48
Opening bag
Close up
0:49-0:51
Lip syncing, performing
Close up
0:51 – 0:53
Girl walking out with two men behind
Long/Mid shot slow motion
0:53 -0:54
Lip syncing, performing
Close up
0:55 -0:58
Girl walking, looking over at guy
Slow motion, mid shot, low angle
0:58-1:00
Lip syncing, performing
Close up, from behind, panning


Looking at the video in detail revealed that there are very few static shots and there is a lot of camera movement throughout the video. It also made me consider the different positioning of the camera and the different angles and shot lengths. There is quite a bit of variation which makes the video more visually interesting so this is something we will need to consider in our video and plan ahead so that we have a variety of shots and angles so that it is more visually interesting to the viewer.
Another aspect of the video that I noticed from this analysis is the juxtaposition of location and style. The main narrative is intercut with shots that are unrelated to the narrative and this is something that works really well and is interesting to see. We are considering doing something similar in our video so this has been a useful reference for that idea.
The technical analysis has made us realise that we will need to plan each shot very carefully and think about the shorter filler shots in detail as well as the longer, more obvious shots.

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